Faces....

..... Aren't they nice?

The Best Laid Plans

As the official league photographer for the Tulsa Shock this year I have setup more remotes than I typically do during the summertime. I really enjoy the work. It's fun and challenging and makes me flex my brain a little.  It's a skill set that sets the pros apart from the vast sea of amateur sports photographers and one that can really only be learned with lots and lots of practice. And for the most part I usually produce some nice images.

The thing about remote cameras is that they are awesome. The other thing about remote cameras is that they are.... well.... remote. Meaning you cannot access them during the game for the most part. So you have to get everything right the first time. I have a checklist in my head of settings I need to change on the camera and the remote equipment. I have threatened (usually after some type of screwup) many times to write it down and carry it in my remote bag, but it has yet to actually happen.


But like all things technical, there are bound to be new issues. You would think after more than a decade of shooting sports I would have a grasp on all the issues that I face, all the little things that could go wrong. But tonight as I setup to shoot the Sparks vs Shock game at the BOK Center, I came across a completely new issue. As Tim and I set up the overhead remote for some kickin' basket action we hung the 300mm 2.8 from the upper catwalk of the arena. This is where the problem started. The heat and humidity that Tulsa is experiencing seems to be concentrated at the top of the arena! The upper catwalk is placed just a few feet above the air conditioning outlets for the building. Meaning that it's like being in the attic of your house! The minute we crossed the last few steps onto the upper deck the 300mm (6 lbs of aluminum and glass) immediately fogged up. The problem is that a lens like this is not like your eyeglasses, it takes more than just a few minutes to warm up and unfog. With limited time, we guessed at the focusing and headed back downstairs.


After the first half we went back up and made some adjustments, refocused the camera and checked the take from the first half. Unfortunately it was just as I had feared. 


The lens remained fogged for the entire first half of the game. Luckily the Shock were shooting at that end the second half and I made some nice frames, so all was not lost. 


 

Big thanks to Tim Berry for helping out tonight. It's always a must for me to have a second set of hands when hanging things out over the catwalk for games. Sure, I could do it myself... but with so much else to go wrong... why take the risk!? 

All Images in this post are by Shane Bevel/NBAE/Getty Images and used by permission of the NBA and Tulsa Shock. 

Super Wide

I have been shooting 360 degree panoramas for a long time for Quicktime VR web use. But with a new camera comes new inspiration. So armed with my pano head and 50mm lens instead of a 15mm fisheye, I headed out to shoot some property photos for a client. They wanted to show how large their campus is, so they asked about shooting a pano.

Shooting with the 50 requires a lot of images and with a 21mp sensor results in a magnificent file (the resulting TIFF file is well over a gigabyte. Here is a smaller version of what is a nearly 200 megapixel image. The resulting detail (below is a 100% crop sample) is almost unreal. Now it has me thinking about how to actually print these monstrosities. Any idea? Shoot me an email.

Fly Your Flag

This morning I hung the flag. Memorial day is still a few days out, but the blue sky made me remember and today seemed a good day to put it up. As this weekend approaches and the boats, barbecues and bathing suits make their appearances I bid you remember the real meaning of the weekend.

Unfortunately we are still at war and although I wish that my cousin's death three years ago had been the last, it was not. Cpl. Ray Michael Bevel (above) was killed at the peak of the violence in April 2007. Today, icasualties.org reports that 4400 U.S. men and women have been killed in Iraq and another 1085 in Afghanistan. 

I hope that none of you ever experience the sorrow my family felt and continues to feel. Now is not the time to discuss how or why. Now is simply a time to remember. Below is a repost from 2007.


The small plane stands out in the vastness of the blue West Texas sky. As the scream of the turbines dies, a somber silence blankets the air, only the uncontrollable sobbing cries of a grieving mother can be heard over the constant wind, buffeting through the bunched groups of family and friends.

An eternity passes before the door opens with a crack and six soldiers carried a seventh across the blazing white tarmac. The family touches the flag-draped casket as it glides into the hearse.


Along the open highway roughnecks, ranchers and oil men all stop. Some get out of their trucks, hold their hats against their chest and stand at attention as the procession rolls past. Later, in town, eight thousand people stand along the road in total silence as the war-battered body of a young man passes into the city limits for the last time. School children are bussed to the short route to stand with flags and learn what it means to be a patriot.

As a father grieves quietly, the body of Cpl. Ray Michael Bevel makes it's final sojourn.

A Day at the Derby

While the ponies were running that 1.25 last weekend over at a little track called Churchill Downs, me and a producer were out at Will Rogers Downs making the best of the on again off again rainy weather and shooting one of my favorite subjects. Here are a few of my favorites.

Big Fun in a Little Town

After a couple months of some pretty heavy commercial photography I had started to really miss my roots. Luckily the folks at USA Today always come up with something great. This time they sent me to Barnsdall, Okla to tell their 1.9 million readers about Coach Joe Gilbert. He's been there for 50+ years and has coached 204 varsity seasons! It's nice to shoot photos of folks with such great faces. 


You can see the full audio slideshow here:  http://tinyurl.com/2fnjusb



New toy

Just a fun random photo from the new camera. The detail this camera can capture is really unbelievable. Look forward to using it on assignment for USA Today in the morning!

I Like To Win Bets

There are certain assignments I really enjoy for one reason or another. This was one of those. When I told my dad (a grocery industry exec) that I was shooting Doug McMillon, CEO of WalMart International, for the USA Today business section he thought that was pretty cool.

But when I told him the idea was to shoot him riding a bike through the store... he said he'd bet me $20 it wouldn't happen. I told him he maybe didn't quite understand the power of "Hi, I'm going to make your photo for the 1.9 million readers of USA Today, you know what would be fun?"

Fast forward a few days. Me, the media relations woman, my assistant and Doug McMillon are in the Bentonville, AR WalMart. I explained the situation and Doug looked me in the eye and deadpanned "So, what are you going to spend your $20 on?"

It turned out not to be my favorite photos, but the editors at USAT liked it enough to use it online. (the print version hits stands in the morning)

It's always the editorial goal to shoot executives in a way that doesn't look "executive" but it's really nice when you have a subject that is so willing to go along. Doug dodged shoppers, talked to the manager about customer complaints and rode the beach cruiser through the aisles of the store all at the same time. He gave us 45 minutes and we shot three setups with multiple lights and a few looks. Here are the three setups. Enjoy!

P.S. Pay up Dad. Shane needs a new pair of shoes.



You can see the online version here: http://www.usatoday.com/money/companies/management/advice/2010-04-19-advice19_ST_N.htm and pickup a print version in Monday's USA Today.

Okie Photogs

Hey guys, check out my interview on Okie Creative. Big thanks to Jeremy Charles for putting this all together and featuring some pretty great photographers. Honored to be there. Click here or the photo above to get there.

Firepower

Both the lights and the talent were hitting hard on this shoot for an upstart tennis magazine. Shooting in complete darkness under light from a 2400ws pack with two heads. The client was looking for a high impact look to set his publication apart from the rest of the regional mags on the rack. Look for the first issue sometime soon!